Alfred Hrdlicka, Stehender - Haarmann 1967 (red marble) 87 x 20 x 30 cm. source
Maria Tatar notes in her book Lustmord:
Much as collective cultural memory has excluded Fritz Haarmann from the historical record and preserved his deeds in the popular imagination as something closer to lore than to fact, it was impossible to eradicate his real-life existence entirely. Of late, the Haarmann case has attracted a certain amount of notoriety , but, in one instance at least, the effort to remember turned into what was perceived to be a scandalous attempt to commemorate his deeds. In Haarmann's native city of Hanover, Alfred Hrdlicka proposed erecting a monument to Haarmann - a statue that would be a provocation to be sure - but with hope of provoking thought. It goes without saying that the plan was never approved, but Hrdlicka still had the chance to articulate what it was that made Haarmann worthy of memorialization. Haarmann's offenses lay at the heart of "the enigmas of a nation," Hrdlicka declared. "Haarmann the mass murderer... was not only a lightning flash revealing the state-sanctioned mass murderers that were to come; his antisocial preoccupations and drives were, above all, what made him a prototype of his time."
And another sculpture:
Alfred Hrdlicka, Haarmann (Haarmann und eines seiner Opfer III) 1967 - 1968 (bronze), 212 x 33 x 40 cm. source